click here to download the publication Regional cultural strategy of Pelagonija Region 2013-2016 published by Lokomotiva (MK) in the frame of Programme for Decentralised Cooperation between the Region Lower Normandy and the Republic of Macedonia. The publication is in Macedonian language.
click here to download the publication Regional cultural strategy of Pelagonija Region 2013-2016 published by Lokomotiva (MK) in the frame of Programme for Decentralised Cooperation between the Region Lower Normandy and the Republic of Macedonia. The publication is in French language.
PLATFORM(a) _for contemporary performing arts
PROGRAMME OCTOBER (from 26 to 30) in Kino Kultura
// 26 October (Wednesday) //
>> 20:00 Future read in concrete and stone /performance/
>> 21:45 Critical Time/discussions organized in the frame of Critical practice_Made in Yu project Read More
Critical practice (made in Yugoslavia): Cycle 3
Schedule of the gathering in Skopje, at Platform(a)
26 – 31 October 2016, Kino Kultura, Skopje Read More
Darko Jordanov is active as DJ from the beginning of the 90’s. Few years later he becomes part of the PMG Kolektiv, he is music collaborator in the radio Kanal 103, and he is very good man!
Associated professor PhD Iskra Sukarova on this session will represent her work as one of the founders of the contemporary dance scene in Macedonia. Sukarova as choreographer will share her experiences in relation to the dance practices and theory through her work with Ana Vujanovic with who she has realized several collaborations in relation choreographer/dramaturge
In the frame of GPS project of cooperation between the USA and Eastern Europe in the field of contemporary dance and performance, Faculty of Music Arts (University St. Cyril and Methodius) and Lokomotiva (represented by Iskra Sukarova and Biljana Tanurovska – Kjulavkovski) will host two New York based artists, Levi Gonzales and Mariana Valencia. Read More
Telemama’s Solemn Event is a concert-like performance. Its appearance and content sublimate few elements of school performances from the socialistic era, in which the author have participated during her childhood years with many of her fellow-schoolmates. Within that relatively conservative mise-en-scene she sings her own songs, played on ukulele. Their main subject is the ongoing authoritarian political picture in Macedonia and the individual’s position in it. Read More